d18e0708-1bb7-42a6-acea-e48eb5cb910b

https://dobestmusic.com/storage/uploads/2026-04-02/d18e0708-1bb7-42a6-acea-e48eb5cb910b.mp3

117

[Verse 1]
Got a big blue balloon
Bought it Tuesday afternoon
Tied it tight around my wrist
Took it home
It tried to twist

[Chorus]
Big blue balloon
Don’t fly away
Stay with me
Let’s play all day
Up so high
Then down so low
Spin around and touch my toes (hey!)
Big blue balloon
You’re my best friend
Hope this party never ends

[Verse 2]
Drew a smile and silly hat
Little shoes and a jumping cat
Gave it glasses just like mine
Now it looks extra fine

[Chorus]
Big blue balloon
Don’t fly away
Stay with me
Let’s play all day
Up so high
Then down so low
Spin around and touch my toes (hey!)
Big blue balloon
You’re my best friend
Hope this party never ends

hace 1 día

Hayden Cole

Bouncy acoustic pop for kids, ukulele and hand percussion with a bright xylophone hook; verses stay light and storytelling, chorus bursts with group child vocals and claps, simple bass keeps it moving and a whistle lead doubles the main melody

ed260d83-cd60-4a45-80fb-b759e4206edd

https://dobestmusic.com/storage/uploads/2026-03-08/ed260d83-cd60-4a45-80fb-b759e4206edd.mp3

182

[Verse 1]
Bare feet in the dark grain
Warm wind in a soft sigh
Salt on my lips
You’re laughing
Clouds catching fire in the high sky

[Chorus]
Black sand
Golden sky
You lean into me as the day drifts by
Slow waves
Old lullaby
Sea turtles turning in the blue below
Black sand
Golden glow

[Verse 2]
Your hand tracing small shells
Names in a tide line
We talk like we’ve known forever
Let each little silence entwine

[Chorus]
Black sand
Golden sky
You lean into me as the day drifts by
Slow waves
Old lullaby
Sea turtles turning in the blue below
Black sand
Golden glow

hace 26 días

Laly Laura

Dreamy Hawaiian slack-key guitar with gentle fingerpicked patterns, soft male vocals, and airy uli uli shakers swelling like the tide. Tempo relaxed and swaying. Verses stay intimate and close-mic’d, while the chorus widens with subtle stacked harmonies and distant lap steel glides. Light ocean reverb on everything to feel like you’re singing from the shoreline at dusk., hawaiian

48a6259d-f1d8-41e3-bd83-1d132d31747c

https://dobestmusic.com/storage/uploads/2026-03-08/48a6259d-f1d8-41e3-bd83-1d132d31747c.mp3

240

[Verse 1]
Good boy
Good boy
Good boy
Take it
Horse
Please
Horse
Please
(uh)
Oh my god
Horse please
Take it

[Chorus]
My boy
My boy
My toy
Take it
My boy
My boy
My toy
Take it
Horse
Please
Horse for me
Horsey
Don’t you stop
I’m taking it

[Drop]
Fuck
Fuck
Fuck
Fuck
Oh god
Fuck
Fuck
Yeah
Yeesss
Good boy
Takes it

hace 26 días

T W

Dark, galloping electro house with warped bass stabs and rubbery synth leads; male vocals, half-chanted, half-snarled. Kick hits like hooves on concrete, with a warbling mid-bass that swells into the drop. Sparse verses ride a pulsing low end, then the hook explodes with stacked gang shouts and distorted call‑and‑response ad-libs. FX sweeps and glitchy fills keep the bounce feral and tense, perfect for late‑night warehouse chaos., electro house, deep

edd8e26f-4eba-4e28-9deb-58b7fed28f97

https://dobestmusic.com/storage/uploads/2026-02-20/edd8e26f-4eba-4e28-9deb-58b7fed28f97.mp3

76

[Instrumental]

hace 42 días

Hakim Afshar

jazz, Bright dixieland stomp built around ragtime piano and swaggering trumpet leads, male vocals. Clarinet and muted trombone weave call-and-response riffs; walking upright bass and tight snare/hi-hat keep a skittering second-line groove. Choruses burst with gang shouts and handclaps, bridge drops to half-time piano stride before a jubilant horn shout chorus and big button ending., ragtime, dixieland

e6270019-8dd0-43cb-85fb-d6f795c53d5c

https://dobestmusic.com/storage/uploads/2026-02-20/e6270019-8dd0-43cb-85fb-d6f795c53d5c.mp3

116

[Instrumental]

hace 42 días

Hakim Afshar

jazz, Brassy dixieland romp with swaggering trumpet leads, chattering clarinet, and jaunty ragtime piano stride; tuba and snare-driven street-parade groove. Female vocals out front, playful call-and-response with the horns. Choruses jump to crowd-pleasing shout sections; middle eight drops to half-time stomp before a final, whirlwind horn tag. Roomy, live-club mix to feel like a smoky 1920s speakeasy., ragtime, dixieland

91e3083a-c737-4de0-a097-ed29a64b4236

https://dobestmusic.com/storage/uploads/2026-02-20/91e3083a-c737-4de0-a097-ed29a64b4236.mp3

168

[Verse 1]
Steel bones showing through the skin
Teeth of the gears all chipped and bent
Cold wind whistles through the ribs
Of giants that forgot they ever lived

[Pre-Chorus]
Boot prints in a film of dust
Names carved deep in flaking rust
I drag my shadow past the doors
Hear old ghosts pacing on the floor (yeah)

[Chorus]
Midnight on the factory floor
Rusted hearts still begging for war
Neon bleeding through the broken glass
Flicker
Stutter
Fade and come back
We were sparks in a blackout town
Now we haunt these hollow grounds
Midnight on the factory floor
Where the dead machines still roar

[Verse 2]
Chains swing slow from the ceiling beams
Dripping oil like forgotten dreams
Warning signs
All cracked and pale
Silent sirens
Stories nailed

[Pre-Chorus]
I press my hand to a frozen line
Feel a hum from another time
Like every shift that never ends
Clocked out bodies
Clockwork friends (oh)

[Chorus]
Midnight on the factory floor
Rusted hearts still begging for war
Neon bleeding through the broken glass
Flicker
Stutter
Fade and come back
We were sparks in a blackout town
Now we haunt these hollow grounds
Midnight on the factory floor
Where the dead machines still roar

[Bridge]
[Metallic hits echo
Bass throbs in the dark]
Tell me who we were
When the windows burned bright
Tell me what we built
That survived the night
Only twisted frames
Only shadows lean
Only me and you
And a broken dream

[Chorus]
Midnight on the factory floor
Rusted hearts still begging for war
Neon bleeding through the broken glass
Flicker
Stutter
Fade and come back
We were sparks in a blackout town
Now we haunt these hollow grounds
Midnight on the factory floor
Where the dead machines still roar (still roar)

hace 42 días

Hakim Afshar

rock, Grinding industrial rock with male vocals, trashy metallic percussion, and overdriven bass locked to a stomping mid-tempo groove. Verses stay tense and sparse with dry vocal up front and distant machine ambience; choruses explode with layered distorted guitars, gang shouts, and clanging metal hits. Bridge strips to pulsing bass and echoing scrap impacts, then slams back in with a bigger, shouted final hook and feedback tail., metal, industrial rock

a285d489-8dc4-4d06-8273-018d5b994cc6

https://dobestmusic.com/storage/uploads/2026-02-14/a285d489-8dc4-4d06-8273-018d5b994cc6.mp3

182

[Verse 1]
Der Tag ist hell wie lange nicht
Du bist mein Leben
Bist mein Licht
Doch müssen fliehen
Ganz weit weg
Der Schein der Welt
Nun scheu versteckt

Der Regen fällt wie unser Blut
Wir gehen weiter
Wir suchen Mut
Die Wahrheit hart
Doch strikt und klar
Und trotzdem scheint die Liebe wahr

[Chorus]
Verlass mich nicht
Sonst sterbe ich
Denn bist nicht du
Dann bin nicht ich (oh oh)
Halt meine Hand
Auch wenn es bricht
Solang du da bist
Zerfall ich nicht

[Verse 2]
Die Straßen leer
Die Herzen laut
Ich hab dir alles anvertraut
Ich bin zu schwach
Du bleibst mein Schild
Wenn um uns her die Angst aufbricht

Kein Rettungsplan
Nur du und ich
Doch dieses „wir“ genügt für mich
Auch wenn die Welt in Trümmern liegt
Solang du bleibst
Hab ich noch Sieg

[Chorus]
Verlass mich nicht
Sonst sterbe ich
Denn bist nicht du
Dann bin nicht ich (yeah)
Halt meine Hand
Auch wenn es bricht
Solang du da bist
Zerfall ich nicht

[Bridge]
Wenn alles fällt
Ich halt dich fest (halt dich fest)
Egal wohin
Egal wie schwer es ist

[Chorus]
Verlass mich nicht
Sonst sterbe ich
Denn bist nicht du
Dann bin nicht ich (oh oh)
Halt meine Hand
Auch wenn es bricht
Solang du da bist
Zerfall ich nicht

hace 48 días

Babaysam

Epic German pop ballad, midtempo 4/4. Warm piano and airy pads in the verses, intimate male vocals. Chorus blooms with wide synths, tom fills, and stacked harmonies on the hook. Subtle strings lift the second half; kick and deep bass anchor the low end. Final chorus held high and emotional, then a gentle piano outro.

bde015c9-e6f7-4692-97ed-049870479401

https://dobestmusic.com/storage/uploads/2026-02-14/bde015c9-e6f7-4692-97ed-049870479401.mp3

236

[Verse 1]
Woke up to your smile again
Fatima
Sunlight don’t shine the same
Every road I’ve ever been on
Somehow led me to your name
When the world gets heavy on me
And my mind don’t play it fair
You’re the only voice I’m hearing
Fatima
Saying I’m still right here

[Chorus]
Funny how I
Thought I knew love
Till I met you
Thought I was fine
Always passing through
Now all my heart
Wants is you
Is you
Every beat spells out your name
Fatima
I’m changed

[Verse 2]
Coffee in your chipped blue cup
Bare feet on the kitchen tile
You’re humming some half-known song
I just watch you for a while
Every scar I tried to hide
You traced gentle with your hands
Said
“You don’t have to be so strong now
I already understand”

[Chorus]
Funny how I
Thought I knew love
Till I met you
Thought I was fine
Always passing through
Now all my heart
Wants is you
Is you
Every beat spells out your name
Fatima
I’m changed

[Bridge]
If the days turn dark and distant
If I forget my own way home
Say my name like you say it now
And I’ll know I’m not alone (oh)
Every promise that I make you
I can feel it in my bones
I’m not going anywhere

[Chorus]
Funny how I
Thought I knew love
Till I met you
Thought I was fine
Always passing through
Now all my heart
Runs to you
To you
Every beat spells out your name
Fatima
I’m changed
Fatima
I’m changed

hace 48 días

Dennis Abeack

Warm acoustic pop ballad with male vocals; intimate fingerpicked guitar and soft piano under close-mic verses, light percussion and subtle bass entering in the chorus. Hook leans on stacked harmonies on “Fatima,” with a gentle lift into each refrain. Second half adds airy pads and a simple melodic guitar line for emotional build, then strips back to voice and guitar on the final chorus tag., world

e9c250f2-da51-4247-a92f-1347aeb51704

https://dobestmusic.com/storage/uploads/2026-02-14/e9c250f2-da51-4247-a92f-1347aeb51704.mp3

212

[Intro]
Ma grosse tête adorée
Viens danser tout contre moi
Depuis la seconde A2
Mon cœur ne connaît que toi (oh yeah)

[Verse 1]
On copiait les mêmes devoirs
Même cahier
Même retard
Tu riais fort au fond de la classe
Moi je faisais semblant d’être sage

On se frôlait dans le couloir
Tes yeux brûlaient tout mon soir
Qui pouvait croire
À cet âge
Qu’on ferait six ans de voyage

[Chorus]
Ma grosse tête adorée
Aïmée
Depuis le lycée tu m’as charmé
Ton nom est gravé dans mes veines
Chaque battement appelle ton prénom

Ma grosse tête adorée
Aïmée
Même tes colères
Je les ai signées
Ton rire m’apaise
Ton parfum me freine
Je veux vieillir au creux de tes mains

[Verse 2]
On partage le même oreiller
Les mêmes peurs
Les mêmes projets
Tu comptes les cicatrices sur ma peau
Je compte les étoiles sur ton dos

Tu m’engueules quand je rentre tard
Puis tu t’endors sur mon regard
On s’aime fort
Parfois trop
Mais c’est notre plus beau défaut

[Chorus]
Ma grosse tête adorée
Aïmée
Depuis le lycée tu m’as charmé
Ton nom est gravé dans mes veines
Chaque battement appelle ton prénom

Ma grosse tête adorée
Aïmée
Même tes colères
Je les ai signées
Ton rire m’apaise
Ton parfum me freine
Je veux vieillir au creux de tes mains

[Bridge]
[Chuchoté
Tout près de l’oreille]
Six ans de toi
Six ans de nous
Si c’était à refaire
Je te choisis encore
Jusqu’au bout

On a grandi
On a changé
Mais ton regard reste mon quartier
Là où je reviens me reposer
Là où mon cœur vient se poser (oh oh)

[Chorus]
Ma grosse tête adorée
Aïmée
Depuis le lycée tu m’as gardé
Ton nom est gravé dans mes veines
Chaque battement écrit ton prénom

Ma grosse tête adorée
Aïmée
Si demain tout doit s’effacer
Qu’on nous laisse au moins cette rengaine
Toi dans mes bras
Et le temps qui s’éteint

hace 48 días

Ousman Millogo

pop, Soft Afro-love groove blending soukous guitars, rumba bass movement, and modern African pop drums; male vocals, intimate and tender. Verses stay sparse with circular guitar licks and gentle shakers; chorus blooms with warm synth pads, call-and-response backing vocals, and silky percussion. Subtle horn swells lift key phrases, bridge leans into ndombolo-inspired rhythm for a sensual sway before dropping back to a mellow, romantic outro., chanson, rumba, soukous

c90bba1f-f4e5-4e5e-802a-34ce5eba78aa

https://dobestmusic.com/storage/uploads/2026-02-14/c90bba1f-f4e5-4e5e-802a-34ce5eba78aa.mp3

210

[Intro]
Ma grosse tête adorée
Viens danser tout contre moi
Depuis la seconde A2
Mon cœur ne connaît que toi (hey)

[Verse 1]
On copiait nos devoirs
Mais c’est ton sourire que je volais
Au fond de la cour du lycée
On rêvait d’une vie à deux
Six ans de petites victoires
De disputes
De fous rires
De paix
J’ai grandi dans ton regard
Tu as calmé tous mes feux

[Chorus]
Ma grosse tête adorée
Quand tu ris tout s’illumine
Même tes colères je les aime
Elles dessinent notre film
Aimée
Mon Aimée
Ton prénom m’apaise
Me guide
Si demain tout devait tomber
Je retomberais pour toi
Ma chérie (oh Aimée)

[Verse 2]
Tu dis que tu n’es pas parfaite
Moi je vois un miracle têtu
Tes doutes
Tes petites défaites
Je les porte avec toi
J’y suis
On s’est tenu la main
Quand le monde voulait qu’on plie
Tu tremblais dans le noir
Je t’ai juré toute ma vie

[Chorus]
Ma grosse tête adorée
Quand tu ris tout s’illumine
Même tes colères je les aime
Elles dessinent notre film
Aimée
Mon Aimée
Ton prénom m’apaise
Me guide
Si demain tout devait tomber
Je retomberais pour toi
Ma chérie (oh Aimée)

[Bridge]
On dansera vieux sur le même carrelage
Avec nos genoux fatigués
On racontera aux enfants du voisinage
Comment tout a commencé
Seconde A2
Deux regards perdus
Deux agendas
Un seul secret
Depuis ce jour-là
Je l’ai su
Je ne pourrai plus te quitter

[Chorus]
Ma grosse tête adorée
Quand tu ris tout s’illumine
Même tes colères je les aime
Elles dessinent notre film
Aimée
Mon Aimée
Reine de mes nuits
De mes rides
Si mille vies m’étaient offertes
Je te choisirais encore
Ma chérie (oh Aimée)

hace 48 días

Ousman Millogo

pop, Gentle Afro love blend with soukous guitars, smooth rumba groove, ndombolo swing on the choruses. Mid‑tempo African pop production, warm bass and soft congas, airy synth pads, male vocals with sweet call-and-response backing. Verses stay intimate and close, chorus opens with bright guitar licks and stacked harmonies, bridge drops to almost unplugged before a final, joyful lift., soukous, rumba, chanson

68f51167-22ad-414f-af54-3c3f802c0fda

https://dobestmusic.com/storage/uploads/2026-02-13/68f51167-22ad-414f-af54-3c3f802c0fda.mp3

240

[Verse 1]
Woke up to your smile again
Linda
Sunlight don’t shine the same
Every road I’ve ever been on
Somehow led me to your name

When the world gets heavy on me
And my mind don’t play it fair
You’re the only voice I’m hearing
Linda
Saying I’m still right here

[Chorus]
Funny how I
Thought I knew love
Till I met you
Thought I was fine
Always passing through
Now all my plans
They all come back to you
Funny how I
Didn’t know my heart until it spoke your tune
Linda
Every line I write leads back to you

[Verse 2]
I’ve stood in a crowd
Felt lonesome
Sat quiet in a noisy bar
Then you laughed and the whole room shifted
Like someone switched on every star

You remember the small things I’m saying
Stuff I forget in a day or two
You hold up a mirror so gently
Till I see the good you say you do

[Chorus]
Funny how I
Thought I knew love
Till I met you
Thought I was fine
Always passing through
Now all my plans
They all come back to you
Funny how I
Didn’t know my heart until it spoke your tune
Linda
Every line I write leads back to you

[Bridge]
If I ever start to wander
Start doubting every step I take (mmm)
You just whisper
“Baby
You’re alright”
And every fear I’ve got begins to break

[Chorus]
Funny how I
Thought I knew love
Till I met you
Thought I was fine
Always passing through
Now all my days
They all make sense with you
Funny how I
Didn’t know my home until I saw this view
Linda
Every road I walk runs back to you

hace 49 días

Cameron Parish

Warm Americana ballad with male vocals, gentle acoustic picking and soft brush drums. Subtle pedal steel swells and organ pad under the chorus; verses stay intimate and conversational, chorus widens with stacked harmonies and a steady backbeat. Bridge lifts with a key change feel and melodic bass movement, then drops to near a cappella before a final lingering refrain., world

7b7be0e7-3023-4790-90ee-50f8ed51cad0

https://dobestmusic.com/storage/uploads/2026-02-03/7b7be0e7-3023-4790-90ee-50f8ed51cad0.mp3

162

[Verse 1]
چي زما باچا زړه هم ورته غلام دی
ستا ښایست ته مې په دوو لاسه سلام دی
د خیالونو کېږدۍ ووهه ویده شه
د یادو پر بالښت سر کېږده ماښام دی

[Chorus]
رسوي مې د منصور تر دعوو
ستا د سترګو مسته لاره لاړم
خدای خبر چې بیا به ګورم که نه
زه په تا کې ورک شومه، نه راځم

[Verse 2]
ستا د خولې خبرې شات دي، دارو دي
په سترګو کې دې زرکې، اور بلې شپو دي
په زړګي کې مې دې نوم لکه نقش دی
له جهان نه راسره بس همدا خوب دی

[Chorus]
رسوي مې د منصور تر دعوو
ستا د سترګو مسته لاره لاړم
خدای خبر چې بیا به ګورم که نه
زه په تا کې ورک شومه، نه راځم

hace 59 días

ASMAT Shahab

Warm Pashto folk-ballad feel with male vocals, soft rubab and subtle dambora pulses. Intimate, close-mic vocal in the verses; chorus blooms with light two-part harmonies and airy flute fills. Gentle build to the last hook, then a tender, lingering rubab outro letting the final line hang in the air.

dbbfc571-37a9-45fa-ae04-52c705a1ea2a

https://dobestmusic.com/storage/uploads/2026-02-03/dbbfc571-37a9-45fa-ae04-52c705a1ea2a.mp3

195

[Verse 1]
چي زما باچا زړه هـم ورته غــــلام دی
ستا ښایست ته مي په دوه لاسه سلام دی
د خیـــــالونو کیــــــږدۍ ووهـــــه، ویده شه
د یادو پر بالښــــت ســـــر کیږده، ماښام دی

[Chorus]
ستا ښایست ته سلام، سلام، سلام دی
زړه مي بند اسیر، هره ساه پيغام دی
په هره شپه کي تا لټوم، آرام نشته
ستا د نوم هره توره، راته انعام دی

[Verse 2]
رســوي مي د منصــــور تر دعـــــــو ژړا
ستا د میني اور کي سوځمه بې صدا
په خاموشه کوټه کي تا ته خبرې کوم
ستا له نه شتون سره هم، ته راسره یې هسی نا

[Chorus]
ستا ښایست ته سلام، سلام، سلام دی
زړه مي بند اسیر، هره ساه پيغام دی
په هره شپه کي تا لټوم، آرام نشته
ستا د نوم هره توره، راته انعام دی

hace 59 días

ASMAT Shahab

Soft Pashto folk ballad; gentle rubab and tabla with subtle flute lines, male vocals sitting intimate and close. Verses stay sparse and tender, chorus opens slightly with warm backing hums and a touch of reverb, creating a twilight, nostalgic glow that slowly swells then settles.

33152787-2857-4d27-9508-6af46d49de6d

https://dobestmusic.com/storage/uploads/2026-02-03/33152787-2857-4d27-9508-6af46d49de6d.mp3

169

[Verse 1]
چي زما باچا زړه هم ورته غلام دی
ستا ښایست ته مې په دوه لاسه سلام دی
د خيالونو کېږدۍ ووهه ويده شه
د يادو پر بالښت سر کېږده ماښام دی

[Chorus]
رسوي مې د منصور تر دعوو
ستا د مينې اور ته ځم په پښو
زړه مې سوځي لکه شمع د شپې
ته مې نوم يې، ته مې ساه يې، ته مې هو

[Verse 2]
ستا د سترګو په غړمبه كې رازونه
په تماس كې دې رپېږي ښې ورځې
راشه ناست شه د حيا په غلي څنګ كې
يوه موسكا کړه، نورې ټولې خبرې

[Chorus]
رسوي مې د منصور تر دعوو
ستا د مينې اور ته ځم په پښو
زړه مې سوځي لکه شمع د شپې
ته مې نوم يې، ته مې ساه يې، ته مې هو (آه هو)

hace 59 días

ASMAT Shahab

Warm Pashto folk-pop ballad; midtempo rubab and soft percussion under a tender male vocal. Verses feel intimate and close-mic’d, with subtle drone and hand rhythm. Chorus blooms with light harmonies and immersive reverb, then drops back to a hushed, story-telling tone for the final section.

b9c796da-deb3-429b-8463-b9b4d4fc74a6

https://dobestmusic.com/storage/uploads/2026-02-01/b9c796da-deb3-429b-8463-b9b4d4fc74a6.mp3

218

[Verse 1]
You pull up in that old two-door
Same cologne from the year we met
CD skipping on track fourteen
But you laugh
Say you like it like that

Lip gloss on my cotton tee
Finger drawing on the window steam
You say
“Boy
What you really need?”
I say
“Girl
Can you stay with me?”

[Chorus]
Backseat slow jams
You and me
Singing every word
Off-key
In harmony (yeah)
Windows fogged
Hearts on repeat
Been a long time
Still hit me like that first week
Backseat slow jams
All night
Nothing in the world ever felt so right
If this is all we ever get
I’m still playing you on my cassette (oh)

[Verse 2]
Traffic lights painting on your skin
You lean in
Change the track again
We talk dreams that we never chased
We talk love that we almost erased

You say
“Life got in the way
I guess”
I kiss the doubt right off your lips
Old school ring on your lockscreen glow
But the way you touch me says you already know

[Chorus]
Backseat slow jams
You and me
Singing every word
Off-key
In harmony
Windows fogged
Hearts on repeat
Been a long time
Still hit me like that first week
Backseat slow jams
All night
Nothing in the world ever felt so right
If this is all we ever get
I’m still playing you on my cassette (yeah, my cassette)

[Bridge]
We ain't kids
But we still reckless
Cruising circles round the same exits
Every “what if” hanging in the air
Every old scar saying “don’t go there”

But your hand finds mine in the dark
Like it always did
From the start
Past and the present collide
Right here on this passenger side

[Chorus]
Backseat slow jams
You and me
Singing every word
Off-key
In harmony (harmony)
Windows fogged
Hearts on repeat
Been a long time
Still hit me like that first week
Backseat slow jams
All night
Nothing in the world ever felt so right
If this is all we ever get
I’ll keep rewinding you on my cassette (on my cassette)
Backseat slow jams
You and me
Backseat slow jams
On repeat (on repeat)

hace 61 días

Chantelle Mcleod

Silky 90s R&B groove, swung drums and round bass, mellow Rhodes and glassy synth pads. Male vocals with stacked call-and-response harmonies in the hook, soft ad-libs tucked in the sides. Verses stay intimate and close-mic’d; chorus widens with lush backing vocals and subtle guitar licks. Warm, tape-kissed mix, slow head-nod tempo that invites a late-night slow dance.

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https://dobestmusic.com/storage/uploads/2026-01-31/a38cc0be-2bc2-48ef-83cb-01f7c59ef6c3.mp3

240

[Verse 1]
Pagi lagi
Wajahku di cermin
Rasanya asing
Hitung salah
Lebih banyak dari nafas yang ku tarik

Semua tanya
“Kenapa kamu selalu tampak kuat?”
Padahal dada
Sesak menahan kata yang tak sempat

[Chorus]
Kalau aku jatuh
Masihkah kau peluk?
Kalau aku kosong
Masihkah kau tunggu?
Aku lelah jadi alasan semua senyummu
Sampai lupa
Lupa tersenyum pada diriku

[Verse 2]
Di keramaian
Aku yang paling pandai bercanda
Tapi pulang
Hanya lampu kamar yang mendengar resah

Kau bilang aku
“Terbaik yang pernah ada di hidupku”
Namun di dalam
Aku merasa gagal jadi apapun

[Chorus]
Kalau aku jatuh
Masihkah kau peluk?
Kalau aku kosong
Masihkah kau tunggu?
Aku lelah jadi alasan semua senyummu
Sampai lupa
Lupa tersenyum pada diriku

[Bridge]
Mungkin hari ini
Aku cuma perlu berhenti menghukum diri (pelan)
Belajar percaya
Tak harus sempurna untuk layak dicinta

[Chorus]
Kalau aku jatuh
Biarkan ku dipeluk
Kalau aku kosong
Ajari ku menunggu
Pelan-pelan ku belajar jadi rumah untukku
Sampai suatu hari
Aku memaafkan diriku

hace 63 días

Zft Noob

Intimate Indonesian ballad, slow 4/4. Soft piano and warm pads under male vocals; verse starts almost whispered, then grows into a soaring, emotional chorus with distant choir harmonies. Subtle organic percussion enters at the first chorus, with a gentle string swell in the bridge. Final chorus drops to piano and voice, ending on a lingering reverb tail.

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https://dobestmusic.com/storage/uploads/2026-01-31/661efed8-7f25-4b59-a58d-4d368f525279.mp3

212

[Verse 1]
Kubilang ke hati
Diam saja
Tahan semua
Jangan bicara
Senyum tipis
Pura-pura biasa
Padahal dada sesak tak punya suara

[Chorus]
Perasaan yang kutahan
Berakhir cuma jadi luka
Bukan salah siapa-siapa
Aku marah pada diri sendiri
Janji kuat
Malah terjatuh lagi
Perasaan yang kutahan
Balik jadi kekecewaan
Pada diri sendiri

[Verse 2]
Satu-satu kesempatan kulepas
Takut jujur
Takut terasa lepas
Lalu menyalahkan wajah di cermin
"Kenapa kau pengecut?" bisik yang paling pelan

[Chorus]
Perasaan yang kutahan
Berakhir cuma jadi luka
Bukan salah siapa-siapa
Aku marah pada diri sendiri
Janji kuat
Malah terjatuh lagi
Perasaan yang kutahan
Balik jadi kekecewaan
Pada diri sendiri

[Bridge]
Andai dulu aku berani bilang
Sebelum semua keburu hilang
Mungkin tak sedalam ini sesal
Tapi kini hanya aku dan penyesalan yang kekal

[Chorus]
Perasaan yang kutahan
Berakhir cuma jadi luka
Bukan salah siapa-siapa
Aku marah pada diri sendiri
Janji kuat
Malah terjatuh lagi
Perasaan yang kutahan
Balik jadi kekecewaan
Pada diri sendiri

hace 63 días

Zft Noob

Moody Indonesian ballad with intimate male vocals, soft piano and airy pads. Understated drums enter on the first chorus with warm kick and brushed snare, then widen in the second chorus with subtle strings and stacked harmonies. Keep verses close-mic and confessional; let the hook bloom with reverb tails and a gentle rise in background textures.

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https://dobestmusic.com/storage/uploads/2026-01-31/47958116-82b6-47fe-906c-732481038f77.mp3

240

[Instrumental]

hace 63 días

Zft Noob

Minimalist sad pop ballad, male vocals; slow tempo with close-miked piano, soft pulsing sub-bass and distant pads. Verses stay hushed and conversational, pre-chorus adds subtle toms and reverse reverb swells. Chorus opens into airy stacked harmonies and a slightly wider stereo field. Bridge strips back to solo vocal and sparse piano hits before a final, intimate hook.

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https://dobestmusic.com/storage/uploads/2026-01-30/3856ab13-59f7-493e-ac24-3189129a77d4.mp3

167

[Verse 1]
Mówisz: "pieprz mnie"
Jakby to był ratunek
Szminka na zębach
W oczach mały bunt
Palce po udach
Jak kreski po nut
Ściany za cienkie
Żeby schować ten brud

[Chorus]
Pieprz mnie
Bo tak lubię
Tak czuję
Ale patrz mi w twarz
Gdy to mówisz
Nie wciskaj mi dłoni aż do ciszy w płucach
To nie jest zabawne
Gdy głos się urywa
Pieprz mnie
Ale słuchaj
Jak oddycham
Każdy ruch to granica
Którą widzisz
Nie chcę się dusić
Gdy wołam o więcej
Chcę ciebie całą
A nie twoje zwycięstwo

[Verse 2]
Karmię twój ego
Udając
Że śpię
Że wszystko mnie cieszy
Że wszystko jest okej
Gryziesz mi szyję
Aż znika mi szyk
Potem pytasz szeptem:
"podobało ci się?"

[Chorus]
Pieprz mnie
Bo tak lubię
Tak czuję
Ale patrz mi w twarz
Gdy to mówisz
Nie wciskaj mi dłoni aż do ciszy w płucach
To nie jest zabawne
Gdy głos się urywa
Pieprz mnie
Ale słuchaj
Jak oddycham
Każdy ruch to granica
Którą widzisz
Nie chcę się dusić
Gdy wołam o więcej
Chcę ciebie całą
A nie twoje zwycięstwo

hace 63 días

Iryska Kalunka

Dark, moody trap ballad with male vocals; sparse piano over deep, tense bass, close-mic whispery verses that feel confessional and dangerous, then choruses open into layered, echoing vocals and distant pads; subtle distortion on ad-libs, snare hits sharpen on the last hook to push the tension to the edge.

115d7ead-211c-436a-8174-044fdb8f93fe

https://dobestmusic.com/storage/uploads/2026-01-30/115d7ead-211c-436a-8174-044fdb8f93fe.mp3

198

[Verse 1]
Patrzysz na mnie
Jakby jutra miało brak
Twoje dłonie
Uczą moje serce takt
W twoim śmiechu
Gubię każdy dawny strach
W twoim płaczu
Chcę być ciszą w twoich snach

[Chorus]
Kocham cię
I będę twoim życiem
Twoim ranem
Kiedy wstaje cichy dzień
Kocham cię
Nad każdą wątpliwością
Wezmę wszystko
Żeby lżej ci było nieść
Kocham cię
I będę twoim życiem
Ja przy tobie
Aż po ostatni szept

[Verse 2]
Gubię czas
Kiedy liczysz moje blizny
Mówisz: "już
Nikt nie dotknie cię jak krzywdę"
Na balkonie
Stygnie herbata i plan
A ja wiem
Że jedyny plan to ja i ty
I świat

[Chorus]
Kocham cię
I będę twoim życiem
Twoim deszczem
Gdy wypala wszystko żar
Kocham cię
Nad każdą twoją raną
Będę ręką
Która składa cię na nowo
Kocham cię
I będę twoim życiem
Ja przy tobie
Aż po ostatni ślad

[Bridge]
Kiedy braknie słów
Przytulę twoje wczoraj
Nie puszczę
Choćby
Świat się walił sto razy (hej)
Jeśli zgubisz mnie
Krzyknę w każdą twoją noc
Że tu jestem
Tu jestem wciąż

[Chorus]
Kocham cię
I będę twoim życiem
Twoim światłem
Gdy zgasną wszystkie domy
Kocham cię
Nad każdą wątpliwością
I przysięgam
Nie odstąpię cię już nigdy
Kocham cię
I będę twoim życiem
Aż po ciszę
W której dalej brzmi nasz śmiech

hace 64 días

Iryska Kalunka

Warm acoustic pop ballad, Polish male vocals, close-micbed and intimate. Fingerpicked guitar and soft piano carry the verses; choruses bloom with airy pads, subtle bass, and gentle tom swells. Light harmony doubles the hook, faint echo on key phrases. Final chorus strips back to voice and guitar, ending on a held, vulnerable note.